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(CF, certificate of graduation; Lipman 1976, 329) Calder holds jobs with an automotive engineer named Tracy in Rutherford, New Jersey, and with New York Edison Company as a draftsman. (Calder 1966, 48–50) Summer: Calder works for Nicholas Hill, a hydraulics engineer, coloring maps for a water-supply project in Bridgeport, Connecticut. (Calder 1966, 48) 17 June: Calder graduates from Stevens with a degree in mechanical engineering.
Directed and cinematography by Herbert Matter; produced and narrated by Burgess Meredith; music by John Cage. (CF, Calder 1955–56, 39; Calder 1966, 57–58) Spring: With the help of Stirling's introduction, Calder seeks employment with an engineer in Canada. Part of the series "Festival du court-métrage." Société Nouvelle Pathé-Cinema, Paris. Calder has a cellar for his workshop and attends Croton Public School. (Calder 1966, 28; CF, Calder 1955–56, 7) Winter: The Calders move to Croton-on-Hudson, New York. (Calder 1966, 39; Hayes 1977, 55) September: Calder begins his studies at Stevens Institute of Technology, Hoboken, New Jersey, where he takes courses which include chemistry, mechanical drawing, shop practice, and surveying, among others. Directed by Carlos Vilardebo; cinematography by Patrice Pouget and Daniel Gaudry; narration by Calder; music by Pierre Henry. (Calder 1966, 37–38; Hayes 1977, 52–53; CF, Calder 1955–56, 14) August: The Calders move back to New York City on Claremont Place. Directed by Hans Richter; cinematography by Arnold Eagle; narrated by Edgar Lang; music by John Gruen, Robert Abramson, Hans Richter, Douglas Townsend; lyrics by John Latouche; sound direction by H. Calder finds a job as a timekeeper for a logging camp in Independence, Washington. (Calder 1966, 55–56) Summer: Inspired by the logging camp landscape, Calder writes home and asks his mother for paints and brushes.
(Calder 1966, 53–55; CF, Patterson to ASCR, 26 April 2010) Mid-June: Arriving in San Francisco, Calder takes a lumber schooner to Willapa Harbor, Washington, where he catches the bus for Aberdeen and meets his sister Peggy and her husband, Kenneth Hayes.
The duck is kinetic, rocking back and forth when tapped.
Directed by Jean-Michel Meurice and Jean Pierre Marchand; produced by Eliane Victor. (Calder 1966, 28–29) December: For Christmas, Calder presents his parents with a dog and a duck that he trimmed from a brass sheet and bent into formation.
Paper costumes for A Nightmare Side Show, one of thirteen group processions performed during Paper Ball: Le Cirque des Chiffonniers, First Hartford Festival, Wadsworth Atheneum, Hartford, Connecticut, 15 February 1936 Standing, left to right: André Masson, Kay Sage, and Calder; sitting, left to right: André Breton, Susanna Perkins Hare, Louisa Calder, Rose Masson, Diego Masson, Charlie Prescott, Mary Calder, and Teeny Matisse, Roxbury, 1941 Alexander Calder Scrapbook, 1924–26. (Calder 1966, 66, 70; Hayes 1977, 81) September–November: Calder studies life drawing with Boardman Robinson at the Art Students League.
The unbound book includes seven folios and eight loose clippings, two newspapers, and one poster: black-and-white and color; 16 1/8" x 12 1/4". (ASL, registration records) 24 January: A total eclipse of the sun is visible from the northern part of Manhattan.
The challenge is to move the animals from their pens without having two animals in the same pen at once. Stirling rents a studio in New York City on 51 West Tenth Street.